Cruise, he says, was “a guy who had the world in his hand but worked with great vigor, enthusiasm, and playfulness.” Nicholson “was goofy, silly, and gregarious, which I did not expect. His A Few Good Men anecdotes-the stories of Tom Cruise and the giant pen and Pollak’s mother visiting the set-killed on talk shows. ![]() Not that Pollak didn’t sometimes feel like he was in Wonderland. “It took a few years, but eventually, it worked.” Rather than take acting classes, he decided to use comedy club stages as a way to be seen by casting directors. “As a comedian, I thought, ‘There you go, I’ll do that,” Pollak says. Michael Keaton’s star-making, tour-de-force turn in Ron Howard’s Night Shift was an inspiration. in 1983 with more of a career fantasy than a career plan. It was one of those bizarre moments that could have gone either way”-but when the sitcom did get a second season, “it worked out pretty great for Jason and myself.” “At that point, maybe hard to believe, there was almost zero chance that Seinfeld would get picked up. “I have an offer out to Jason Alexander, but if Seinfeld gets picked up for Season 2, he won’t be available,” he remembers the director saying. “If I had not been in his face while he was casting,” says Pollak, Reiner never would have told him about the part of Lt. ![]() Reiner co-created the series, and he appeared each week as the on-screen host introducing each episode. But Morton & Hayes also led to his biggest screen break.
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